Working with historical alternative processes such as lumen printing and anthotypes, further examines the relationship of photographic images with time and impermanence. The prints cannot be fixed with traditional darkroom chemistry, and will fade away in ambient light. In the Ebb project, I collect seaweed, plant material, and found objects from the areas near ghost forests. I contact print onto photographic paper leaving the translucent silhouettes, and attempt to stabilize the images with saltwater. Here salt water is an agent of preservation rather than destruction.